主題 : 想製一框郵資票? 如何製作?大家研究
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樓主  發表於: 2006-03-08 23:05

想製一框郵資票? 如何製作?大家研究

臺灣近年發行的郵資票   已漸漸受到新新人類喜愛   連外國人都不例外     成為國畫古物郵票之外     最受歡迎的郵品     郵資票一框郵展已成氣候     大家研究如何製作郵資票一框郵集 ?   每人製作方式不一   但應不離下列幾點
1.主題的選擇
2.主題需要的郵資票郵品
3.闡釋主題的實寄郵件
4.其它〈郵政文具.......〉
當然   若只闡釋郵史   就不需新票   只以實寄封片簡....表現郵資.郵戳.郵路....即可
一框只16頁   依據大家長期以來打郵資票   製作實寄郵件     都有豐富的材料
希望研究討論之後   可幫你製作得更完美     近而升級組成5框   參加正式國家級郵展競賽
就算不參展   整理成有系列的郵集   閒暇之餘   自娛娛人   也是人生一大樂事
請   各位大大盡量暢談   造就郵資票高潮   屆時   有百框參展   提升收集郵資票風氣
[ 此貼被michael1在2006-03-09 00:12重新編輯 ]
]☆☆圖文版權所有☆☆ E_MAIL   [email protected] 編者按:本文僅供參考之用,並不構成要約、招攬或邀請、誘使、任何不論種類或形式之申述或訂立任何建議及推薦,讀者務請運用個人獨立思考能力,自行作出投資決定,如因相關建議招致損失,概與編者無涉。 https://www.facebook.com/groups/543645966105110/
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1樓  發表於: 2006-03-09 17:23

世界集郵聯合會「一框郵集」類展品
主講人:許少全
翻 譯:林茂興
2005 年 7 月
2005年4月25日世界集郵聯合會(FIP)澳洲雪梨理事會時一致通過下列與「一框郵集」有關之原則:
一、下屆FIP大會時「一框郵集」將由目前的實驗類改為FIP正式競賽類項目之一。

二、評審「一框郵集」展品時須注意下列各項:
1 FIP競賽郵展為集郵界最高層級之競賽,且必須依照FIP「競賽類展品評審規則」與「競賽類展品評審指導要點」評審之。
「一框郵集」之評審應確實遵守FIP各類競賽展品之評分制度。
2 FIP徵集委員與郵展主辦單位徵集展出之郵集至少應曾於國家郵展中獲得鍍金牌獎或80分。
3 「一框郵集」頒發FIP獎牌(以寶石命名之獎項為國家級郵展時使用)。展品應獲頒適切之獎項並與五框郵集之獎項毫無二致。
4 獎牌分四級,分數如下:
     90分及以上       金牌獎
80至89分            鍍金牌獎
70至79分             銀牌獎
60至69分             銅牌獎
59分以下             參展證書,但是因為徵集委員所徵集的展品皆曾在國家郵展中至少獲得鍍金牌獎(80分),所以不可能獲得銅牌獎以下的獎項。
2005年8月25日FIP理事會召開時將對此事做出最後決定。

三、「一框郵集」成為FIP正式競賽項目之一,其評審工作應由FIP合格評審擔任之。

四、FIP理事會建議「開放類郵集」參展費按展出框數計費,「一框郵集」按展出框數之兩倍計費。

五、慎選一個適合以「一框郵集」方式展出的題目。
1 「一框郵集」之展集名稱可以是一個國家、一個國家的某個時期、一套郵票、或系列郵票,需特別注意的是,該郵集唯有以「一框郵集」方式展出最恰當不過。
2 「重要性」是指展出郵品之重要性,票品必須切題,在「處理」方面,評審重視郵品的完整性,以及是否具有創意,由此亦可發覺該郵集以「一框郵集」方式展出是否恰當。展集題目選擇不當將在「處理」方面遭受扣分,反之,適切的展集題目將獲得加分。
3 在「郵識」與「研究」方面,「一框郵集」應該有更廣泛的深入探討(參展者應該在這個項目盡量取得高分)。
4 在「品相」與「珍罕性」方面,評審將按一般的評分標準,但是對於一些特殊的票品,評審會考量獲得的困難度,而非僅僅以一般目錄、郵商與拍賣的價格為依據。
5 對於「表達優劣」,參展者應該盡量獲得5分的配分。

六、FIP理事會「一框郵集」專責人員目前正著手編輯相關專書,內容包含20至25部優良的「一框郵集」展品,每部皆附有評語,可供參展者做為未來參加FIP郵展參考之用。
  該書將於FIP大會召開時或前夕出版。
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  • 升級點數:5(michael1)
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    2樓  發表於: 2006-03-10 00:55

    引用
    下面是引用福氣於2006-03-09 20:32發表的:

    一框邮集原来属于实验类展品,规定一框邮集不可以是由多框展品选取出滴一框,是基于以一框邮集方式展出滴主题。欢迎不久将来可以发展成超过一框滴首次参展人。
    那么如果一框邮集变为正式竞赛类项目之一滴话,以上滴定义就作废了呢?也就是说可以是多框展品选取出滴一框,可以是非首次滴参展人了呢?


    实验类展品就是目前尚未定案的類別, 所以各國的規定不盡相同. 2005台北亞展的規定如下:

    B13            一框郵集類
    此類郵集不可以是多框郵集展品之濃縮,而應是適合以一框郵集方式展出的主題。歡迎將來可以組成超過一框郵集的首次參展人,以一框郵集方式參展。
    一框郵集類頒發下列證書:
    金牌獎            90至100分
    銀牌獎            70至89分
    銅牌獎            50至69分
    低於50分之郵集頒發參展證書

    Class 13          One-Frame Exhibit
    Exhibits in this class should not be One Frame extracted from a multiple frame exhibit and should be based on a subject that is best treated as One Frame. Exhibits are also welcome from novice exhibitors who are developing a subject which is capable of expanding to more than One Frame in the near future.
    Awards are represented by CERTIFICATES:
                     GOLD            90 to 100 POINTS
    SILVER            70 to 89 points
    BRONZE      50 to 69 points.
    Certificate of Participation will be given to exhibits      attaining less than 50 points.
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  • 升級點數:2(michael1)
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    3樓  發表於: 2006-03-10 01:06

    2006西班牙世展規定如下

    一框郵集包括:
    . One Frame Class (experimental. (See Special Regulations)
    2 OF – Traditional
    3 OF – Revenue
    4 OF – Postal History
    5 OF – Postal Stationery
    6 OF – Aerophilately
    7 OF – Astrophilately
    8 OF – Thematic
    9 OF – Maximaphily

    特殊規則如下:
    SPECIAL REGULATIONS FOR THE EVALUATION OF
    ONE FRAME
    EXHIBITS AT ESPAÑA 06 (EXPERIMENTAL)

    Introduction
          The purpose and concept of One Frame Exhibits are to encourage new exhibitors and to provide established exhibitors with the opportunity to prepare exhibits on subjects or themes that cannot be treated well in more than one frame.
    One Frame Exhibits and their elements may come from any of FIP competitive classes.
    Article 1: Competitive Exhibitions
          In accordance with Article 1.4 of the FIP GREV, these Special Regulations have been developed to supplement the principles of GREV, Article 3, with particular regard to One Frame Exhibits.
    Article 2: Competitive Exhibits
          One Frame Exhibits contain philatelic/postal material pertinent to any one of the FIP approved classes. One Frame Exhibits are narrow in scope but the depth of treatment and importance is as complete as possible.
          Exhibits in this class should not simply be One Frame extracted from a multiple frame exhibit and should be based on a subject that is best treated as One Frame.
    Artic1e 3: Principles of Exhibit Composition
          The principles defined in the Special Regulations of the FIP competitive classes for Traditional Philately, Postal History, Postal Stationery, Thematic Philately, Aerophilately, Astrophilately, Maximaphily and Revenues are also valid for One Frame Exhibits.
          Emphasis is placed upon knowledge, presentation and development. The exhibit should hold visitors' attention from the first to the last page and be informative, as well as educational.
          One Frame Exhibits are a chance for both beginners and advanced exhibitors.
          The concept or plan of the exhibit should be clearly explained on introductory page (GREV, Article 3.3).
    Article 4: Criteria for Evaluation
          In accordance with Article 4 of the GREV, the following criteria are used:
          - Treatment and Philatelic Importance
          - Philatelic Knowledge, Personal Study and Research
          - Condition and Rarity of material exhibited
          - Presentation
          In accordance with Article 4.3 of the GREV, for One Frame Exhibits a sharply defined, easy to follow subject / theme where each philatelic piece is necessary for the development, with a Title reflecting in the best possib1e way the content of the exhibit, is essential.
    Article 5: Judging of Exhibits
          One Frame Exhibits will be judged by accredited jurors in their respective fields and in accordance with Section V, Articles 31-47 of GREX and Article 5 of GREV.
          One Frame Exhibits will be evaluated by allocating points for each of the following criteria:
    5.1 Traditional Philately Classes
          1. Treatment and Importance 30
          2. Philatelic Knowledge, Personal Study and Research 35
          3. Condition and Rarity 30 (Difficu1ty of acquisition is also considered)
          4. Presentation 5
          Total 100
    5.2 Thematic Philately Class
          1. Treatment and Development 35
          Includes:
          - Title and Plan
          - Development of the Theme
          - Creativity and Innovation
          2. Knowledge, Personal Study and Research 30
          Includes:
          - Philatelic and Thematic Knowledge and Research
          3. Condition and Rarity 30 (Difficulty of acquisition is a1so considered)
          4. Presentation 5
          Total 100
    Article 6: Palmares
    6.1 All the exhibitors will receive a commemorative medal
    6.2. They will also receive a diploma showing the qualification obtained and the inscription “Un Cuadro – One Frame”, according to the following scale
    90 points or greater: Gold
    From 80 to 89 points: Vermeil
    From 70 to 79 points: Silver
    From 60 to 69 points: Bronze
    Less than 60: Certificate
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    4樓  發表於: 2006-03-11 23:28

    中華郵聯制定與一框郵集有關的3種規定之1 如何製作?大家研究

    圖片:
    在台灣參加全國郵展應該是依照這些規定製作郵集!
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    5樓  發表於: 2006-03-11 23:37

    還有兩份傳不上, 恨奇怪!
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